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V1#15




Pygmy Paradise
by Andrea Boll

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Andrea Boll and her daughter, Athena (pictured above), on the child-like wonder of living in a tropical paradise.
If you’ve never had the pleasure of living in a rectangular box of formaldehyde and faux wood that is the FEMA trailer, I can tell you this: whoever designed them knew they would never have to live in one. I can also tell you that the designers had a skewed idea of the typical trailer dwellers, assuming them to be very small and skinny, like pygmies. In fact, the trailer is perfectly sized for my three-year-old daughter, Athena. She can reach all the door knobs, fit in the crevices between the master bed and the wall, the toilet is low enough so that she can get on and off by herself and the bathtub is exactly big enough or small enough so that she can lay down. She is the only one who doesn’t bang her hips or butt when maneuvering the spaces between the table and cabinets.

It’s not all bad, however. The trailer did come with a few perks. LDS, the Church of Latter Day Saints, had graciously packed a box of goodies: silverware, plates, pots, pans, and surprisingly, no book of Mormon (which, my former home, the Marriott, did have). The government provided a trashcan with stiff, white sheets, pillows, blue blankets from France, a broom, a dust pan, and a coffee maker. The coffee maker was the weirdest part because it’s NICE. I mean really nice—top quality. Why, out of all the things the government did or gave (trailers, levees, rescuing, MREs) is the coffee maker the one thing they didn’t scrimp on? The only reason I could come up with after living here for a few months is that in a rare moment of foresight, they realized we would barely be able to function on a good day, and if we didn’t have decent coffee, then we really wouldn’t be able to get out of bed.

Other parents might have wondered if moving to a mold infested neighborhood with nothing but devastation (or, as Athena calls them, “broken houses”) would be a smart or even responsible move, but really, my street in Gentilly has become quite kid-friendly—ideal almost. Our yard is a giant sandbox. Woodpeckers that didn’t exist pre-Katrina peck merrily at the telephone poles to the delight of Athena. She chases after the feral cats and homeless dogs. There is no crime and no traffic. We take wagon rides and find all sorts of things to play with: Big Wheels, deflated balls, small slides—anything that’s plastic more or less made it intact and can be washed with bleach to be played with again.

Handsome Willy's Front DoorAt night with no TV, no internet, I pretend that we live in the country, that it was a deliberate choice to live simply, surrounded by nothing but solitude and silence. I light a fire in the chimney that had stayed mired to our porch during the flood, heavy as an anchor, and tell Athena to make wishes on the stars we can now see. Luckily, she is still too young to be scared of the bangs and slams echoing in the darkness from the abandoned houses that sound too much like angry ghosts looking for their living.


Handsome Willy's BarOccasionally, in the morning, the Army Corps of Engineers in their orange hats and space suits comes to clean up the piles of asbestos from around the neighborhood. A procession of twenty cars might pass, and so I tell Athena it’s a parade, our very own asbestos parade. From the sandbox, she waves. Sometimes the spacemen smile and wave back. Sometimes one will stop and ask if I’m lonely out here, if I’m scared. But usually, they just look at us with pity and scorn. “Hey mister, throw me something!” my daughter yells, having grasped the concept this year at Mardi Gras. Yeah, throw us something. Some moldy beads. A chunk of asbestos. “Yeah!” Athena screams as they drive by. “YEAH! PARADE!”

When the parade passes, I go back to drinking my coffee. I tell Athena to go play in the street and to please not put anything in her mouth.




Andrea Boll is a writer recently returned to Crescent City. She teaches English at Dillard University.

photos courtesy the author.

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